Michael Takeo Magruder

Last Days…

Last Days…

Abstract:
Context: On the 27th of December 2008 the Israeli-Palestinian conflict resumed with brutal intensity. Last Days… is constructed from one hundred images collected from online news services during the final five days of 2008. The photographs have been removed from their journalistic context and stripped of all but their basic captions. The images and texts are then recombined, together with a persistent sound track, into an unending re-mediation of events that provides an alternative, contemplative space. This work is dedicated to the memory of the 390 Palestinians and 4 Israelis who as a result of this renewed violence did not live to see the New Year. Source Material: [image/text] 100 images and their metadata captions referencing the Israeli-Palestinian conflict in Gaza between the 27th and 31st of December, 2008. This material was obtained from the Internet news articles published by The Guardian, The Times and BBC. Manipulated sample from The Dead Flag Blues by Godspeed You Black Emperor!.

Biography:
Michael Takeo Magruder is an American artist based in the UK working with New and Technological Media within Contemporary Arts practice. He graduated from the University of Virginia in 1996 receiving a BA (Hons) in Biological Science. He is a long-standing member of King’s Visualisation Lab in the Centre for Computing in Humanities, King’s College London. Through this organisation he undertakes research, development and implementation of emerging technologies; including motion capture, immersive space and virtual environments, for use in contemporary creative and academic practice. His artworks have been showcased in over 180 exhibitions and 30 countries, including venues such as the Courtauld Institute of Art, London, EAST International 2005, Georges Pompidou Center, Tokyo Metropolitan Museum of Photography and Trans-Media-Akademie Hellerau. His works are regular inclusions in international New Media festivals, such as Cybersonica, CYNETart, FILE, Filmwinter, SeNef, Siggraph, Split, VAD and WRO. His artistic practice has been funded directly by the Esmée Fairbairn Foundation, Arts Council England, The National Endowment for the Arts, USA and numerous public galleries both within the UK and abroad. He is also recognised for his on-line arts practice and has been commissioned by leading portals for Internet Art such as Turbulence.org and Soundtoys.net. His work blends Information Age technologies with modernist-like aesthetics to explore the formal structures and conceptual paradigms of the networked, digital world.