“Frame Seductions” explores the concept of looking outside of the video frame. As people turn their head to the left or to the right, the image on the screen will follow their gaze beyond the confines of the frame. Viewers will then be able to access material outside of the initial frame. Lurking in the sidelines of the original image, various mundane but provocative scenarios are playing themselves out much to the surprise of the viewer.
Proske’s work involves exposing the unspoken relationships with technology and harnessing machines into exploring new aesthetics. Both resisting and exploiting modern techno-utopian trends, Proske employs humour and the absurd as weapons against the invasion of computer augmented realities.