?. . . . . . . . . . .?? . . . . ?: : : : : : : : : : :?? : : : : ?p r o g r e s s i v e?? l o a d ?P R O G R E S S I V E?? L O A D as we await absolutely undeniable clarity in the world picture that is emerging on our screens, crude visualizations are already taking shape that prefigure what we know already.? the hard line algorithm that governs a state of emergence is protected.? with detail coming into sharper focus each year, one might imagine that protests would ensue and new political movements would engage public opinion. then this loading process itself could be structurally adjusted.? images that show the possibility of this unrest exist, covered by a stream of official representations.? for most this cosmetic final frame is all that is recognizable.? in the dynamite of the tenth of a second a transmission interrupt sequence serves as a reminder of the other progressive load???? by andy deck
Born in 1968, American media artist Andy Deck lives and works in New York City. Deck makes public art for the Internet. Much of his online work occupies and articulates a middle ground between art and interactive entertainment, between communication and creativity, and between independent and collaborative expression. He is the founder of Artcontext. It explores collaborative processes and media politics in the context of art and connectivity, blurring familiar formal categories with hybrid phenomena like network drawing spaces, game-like search engines, written pictures, and informative art. Among his best known works are Glyphiti, Open Studio, Icontext, Space Invaders Act 1732, Screening Circle, Commission Control, Graffic Jam, and CultureMap.